Kon’nichiwa,
folks!
That’s Japanese for Hello, and obviously, this is a post on a track from Love In Tokyo (1966).
My blog on the music of Hindi films released between 1960 and 1968 contains posts on three tracks from the film.
While two of them were Mohammed Rafi solos, the third was rendered by Ms Mangeshkar.
And by no means would it be incorrect to state that Koi Matwala Aaya Mere Dware would give lend baLa(ta)nce to the songs from the film in my collection.
Penned by Hasrat Jaipuri, it was composed by Shankar Jaikishan.
That’s Japanese for Hello, and obviously, this is a post on a track from Love In Tokyo (1966).
My blog on the music of Hindi films released between 1960 and 1968 contains posts on three tracks from the film.
While two of them were Mohammed Rafi solos, the third was rendered by Ms Mangeshkar.
And by no means would it be incorrect to state that Koi Matwala Aaya Mere Dware would give lend baLa(ta)nce to the songs from the film in my collection.
Penned by Hasrat Jaipuri, it was composed by Shankar Jaikishan.
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